BIPASHA BASU - DHAN DHANA DHAN GOAL
“Halla Bol, Aage Dol, Karta Jaa, Goal Pe Goal…”, the loud scout-march of football brigade is all set to blaze sporty passions on music charts. Impressive Pritam Chakraborty belts out another vociferously passionate youthful album DHAN DHANA DHAN…GOAL with a sport centric theme. Like CHAK DE INDIA, it’s primarily focused on the glowing spirited cheer-ups, moral-boosting boyish turbulence with dash of “Billo” stylized “item song” dancing track.
Bipasha Basu gets second sultry hangover of “Billo” (after “Billo Chamanbahar” in OMKARA) in a “pop-qawalli” arranged item song “Billo Rani”. It’s quintessentially Hindustani “filmi” composed track fancied by traditional instrumentals like harmonium, tabla with tinge of hip-hop, electronic sounds in its interludes. Raunchy to the core, folksy vocals of Richa Sharma turns “nasal” (similar to Rekha Bharadwaj) with Anand Raj Anand getting into outrageously loud “Bhojpuri” lingo in creating melodic fracas on floors. Javed Akhtar’s rustic folklore styled flow is big take on Gulzar’s countrified lyrical flows that swept nation with tracks like “Beedi Jalela” and “Namak” (OMKARA). These rustic dancing hoodlums will be having keen takers in interiors for its “mujra” style flow and likely to be scaling high in charts. The raunchiness gets sharp edges in DJ AMyth “club” version where sweltering and racy disco beat fillers usurps senses.
Neeraj Sridhar comradeship with Pritam flourishes to novel peppier territories with “Ishq Ka Kalma”, another Indi-Pop stylized track similar to recently heard “Hare Ram Hare Krishna” (BHOOL BHULIAYAA). It’s moreover a collage of all.
Pritam-Neeraj works embodied with intrinsically rhythmical flows of hip-hop with punch of electronica musical buzz. The infused mild pour of Bagpiper delivers European touches where Javed Akhtar’s wording are hodgepodge of frolicsome tender antics.
“Hey Dude”, another “yuppie” loving song in succession has blend of boyish eccentricity with towering inferno passions of confronting rival on sporting battle field. Devrat, another “new kid on block” from Pritam’s clan emotes out this hitherto supreme sporty track that is high on pulsating beats with energizing snazzy wordings. Like “Chale Chalo” (LAGAAN), “Bad bad girls” (CHAK DE INDIA) and mediocre sounding “Tere Te Me” (ARYAN), it has bountiful of belligerent and confrontational shades that can be working aggressively as apt situational track.
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